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Revisado en España el 27 de septiembre de En 86 minutos y un doble CD, cualquier promesa que permita vislumbrarse por el cuarteto vocal (Kaufmann, Pape, Harteros, Garança) es defraudada. Como un castigo divino, este Requiem se abalanza sobre nosotros sin piedad y hace pedazos todo lo que se pone por delante.4,6/5(). Verdi: Requiem (CD) Películas y Discos: Dispone de 15 días desde la entrega sin desprecintar, salvo defecto de origen con todos los accesorios y embalajes en perfecto estado. Formato: CD de audio Compra verificada. Ferenc Fricsay and the RIAS-Symphonie-Orchester Berlin deliver a truly powerful interpretation of Verdi’s Requiem. After researching the piece listening to samples on YouTube, iTunes and Amazon, it was a simple decision choosing this recording as my introduction to 4,5/5(95). 18/11/ · Verdi’s Requiem text in English Verdi conducted, and then took the work on tour to various European cities, where he usually conducted it in concert halls – including the Albert Hall in London – rather than churches. It still remains primarily a work for the concert stage.
This includes using third party cookies for the purpose of displaying and measuring interest-based ads. Click „Customise Cookies“ to decline these cookies, make more detailed choices, or learn more. Label: Decca. Catalog : Spars Code: DDD. Composer: Giuseppe Verdi. Performer: Luba Orgonasova, Alastair Miles, Anne Sofie von Otter, Luca Canonici, Conductor: John Eliot Gardiner. Number of Discs: 2.
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Giuseppe Verdi is one of the most tuneful, beloved composers of vocal music Italy has produced. Verdi wrote REQUIEM in honor of Alessandro Manzoni, an Italian poet and novelist he greatly admired. Acclaimed tenor Andrea Bocelli and soprano Renee Fleming, along with conductor Valery Gergiev and the Kirov Orchestra, perform a moving rendition of this heartfelt work, perfectly capturing the depth of emotion and challenging musical requirements of this work.
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Forum Rules. Remember Me? What’s New? Forum FAQ Calendar Forum Actions Mark Forums Read Quick Links View Site Leaders Blogs Advanced Search. Forum Musicians and Listeners Community Recorded Music and Publications which Verdi Requiem? Likes: 27 Post 5 Post 3 Post 2 Post 2 Post 2. Page 1 of 5 1 2 3 4 5 Last Jump to page: Results 1 to 15 of Thread: which Verdi Requiem?
Thread Tools Show Printable Version. Nov, 1. So I’m in the market for a new Verdi Requiem. I’ve got Karajan. Just browsing, I’m considering: – Solti – Reiner – Giulini EMI probably, probably not DG – Shaw Fricsay is an outsider because it’s in mono and I’m just enough of a sound guy to dislike that old sound a lot of the time.
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Later in his career, his performances of the Requiem became slow and dull, as with just about everything else, but for a time at least he was simply incomparable. The question with a historical release of a live performance such as this one is simple: does it offer anything more than we already have? First, if you turn up the volume to get everything into perspective, the sound is actually more natural than the studio version: clean, clear, and undistorted, remarkable really, given its source.
Second, the balance restores the chorus to its rightful place: and my god, how they sing! Every word is clear, fervent, and dramatically shaded. His soloists are also fully the equals of their studio counterparts, with Amy Shuard easily outclassing an over-parted Elisabeth Schwarzkopf. This set constitutes one of the most important and attractive issues from the BBC thus far.
GIUSEPPE VERDI – Requiem; Overture to I vespri siciliani FRANZ SCHUBERT – Mass in E-flat. The Bottom Line: Well knock me over with a pin! Someone over at Warner Music knows how to put togeth Continue Reading.
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Support this site by purchasing from these vendors using the links provided below. As an Amazon Associate SA-CD. Track listing:. Recording type:. Recording info:. Mozart: Requiem – Harnoncourt. Buy now from Bruckner: Symphony No. Dvorak: Stabat Mater – Harnoncourt. Bach: Christmas Oratorio – Harnoncourt. Reviews: 4 show all.
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Verdi: Requiem. Daniel Barenboim Artista Formato: CD de audio.
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Verdi: Requiem Giuseppe Verdi (Composer), Zubin Mehta (Conductor), New York Philharmonic (Orchestra), Montserrat Caballé (Performer), Placido Domingo (Performer) & 2 more Format: Audio CD out of 5 stars 54 ratings/5(54). NBC Symphony Orchestra, Collegiate Chorale, Arturo Toscanini. Herva Nelli, Nan Merriman, William McGrath, Norman Scott. Music & Arts, CD: CD (2) Live recording made on 26 April at Carnegie Hall, New York / Chorus prepared by Robert Shaw.
VERDI Requiem Leontyne Price Soprano Rosalind Elias Mezzo-Soprano Jussi-Bjorling Tenor Giorgi Tozzi Bass Singverein der Gesellschaft der Musikfreunde, Vienna Vienna Philharmonic Orchestra Fritz Reiner Conductor VERDI Four Sacred Pieces Yvonne Minton Mezzo-Soprano Los Angeles Master Chorale Los Angeles Philharmonic Orchestra Zubin Mehta Conductor DECCA CD1 Crotchet Amazon UK These CDs have been issued by Decca in their „Legendary Performances“ series; the recording was originally issued on the Ace of Diamonds label in Fritz Reiner belonged to that era of revered authoritarian conductors including Toscanini, Klemperer and Beecham who dominated the pre-Second World War orchestral scene.
His reputation was achieved very largely through his interpretations of Wagner opera in America and Europe and his orchestral directorships in Cincinnati, Pittsburgh and Chicago. This recording of the Verdi Requiem came towards the very end of his conducting career and only 3 years before his death. George Hall’s accompanying notes contrast Reiner’s reputation for „military precision“ with his observation that this account of the Requiem is „not the most precise version on disc“, and draws attention to just how much slower many of his tempi are compared to those indicated on the score by Verdi.
Perusal of these figures justifies the conclusion that, with few exceptions, the tempi are indeed slow. However, it is also true that Verdi’s indicative markings are mostly faster then we are accustomed to hearing them – I would be willing to wager that modern performances never match them in all sections. The places where Reiner’s tempi are plodding, laboured and really drag are the opening Requiem aeternam and the Te decet hymnus.
The reprise of Requiem aeternam just before the final Libera me fugue is indeed cruelly slow for the soprano soloist, wondrously sustained as the singing of Leontyne Price is in this most technically demanding of passages. To maintain such perfect intonation for so long a time unaccompanied, as she does, is a true test of greatness. For the rest, the tempi do not feel slow – it is simply a matter of the putting impatience aside and entering into the whole spirit of the performance.
The listener who does this is richly rewarded: the tempi allow him to savour the glorious sensuality of Verdi’s melodic lines and experience their spiritual depths. Verdi wrote multitudinous and remarkably detailed instructions in the score of the Requiem , indicating that he had a very precise idea of exactly how the finished product should sound.